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Matthew 17:20, my favorite verse. "... If ye have faith as a grain of mustard seed, ye shall say unto this mountain, Remove hence to yonder place; and it shall remove; and nothing shall be impossible unto you."



Saturday, March 1, 2014

How to Prepare Your Manuscript for Print using Microsoft Word


 
1)      To get two pages on your screen looking like a book, either download Createspace’s format at:
or go to your toolbar, click on Page Layout, Size. Select 5” wide and 8” height (or whatever size you choose to have your book printed).
2)      But remember, the page appearing on the left of your screen is really the right of the printed book and vice versa.
3)      Look at the books you read. Do they have an excerpt from the book as a teaser in the beginning? If you choose to do that, highlight and center the first line or phrase, then add the paragraph below, centered in the page. This will be the first page in your book, on the right side.
4)      The second page is where you can list any previous books you’ve written.
5)      The third page is your title page. Your title is listed in large letters, then your name, and if part of a series, then that is what follows.
6)      For your copyright page (the page that holds the book’s information, which should be on the right side of your screen so it’s on the left side in the book) justify the paragraph by making the margins equal. (Choose the last paragraph selection in the tool bar under home.) Look for an example from my book Devoted Mission at the end of this post.                                 
7)      The next page is where you might want to insert a verse or quote. The page after that is for dedications. And your beginning chapter page must be on the right side of your book. (the left of your screen.)
8)      Check your ms for any extra spacing by clicking the pilcrow (the backward “p” in your tool bar under home) or the Show/Hide.
9)      Under the home tab, make sure the body of your ms is justified. You can choose this under “paragraph.” If you don’t know which one this is, hold your cursor over each paragraph symbol until one reads justified.
10)  Next under paragraph, click the “line and paragraph spacing” symbol. It’s to the right of the paragraph selections and has arrows pointing up and down with horizontal lines on the side. For print version, choose 1.0 for your sentence spacing.
11)  Beneath the same tab, click “line spacing options.” Under indentation go to special and click first line. The next box allows you to choose how much you want your paragraphs indented.  (.3 or .5 is usually selected.)
12)  By using the “find” tab in your home setting, you can highlight every chapter heading by typing the word “chapter” into the bar. Make sure each heading is centered by clicking the centered paragraph in the tool bar or Ctrl E. Do this also for what you use to separate scenes. (***, etc.)
13)  With your pilcrow still selected, at the end of each chapter, select insert in your tool bar then click on “page break.” This should bring you to the next page which would be the next chapter. I add two spaces before the chapter heading and three after for print but only two after for ebooks. Make sure all your chapters are the same and the pilcrow has the same font. (That will insure the spacing is equal.)
14)  Also, if at the end of any of your chapters the last sentence is spaced too far between words, with your cursor at the end of the sentence, click “return” and that should correct it.
15)  Under page layout, Margins, select custom margins and make the top, left, and bottom at .75, with the right at .5 and the gutter at .13—gutter positioned to the left.
16)  Don’t forget your header and footings. Double click on the top of a page and it should appear. On the page on the left side of your computer screen, type in the title of your book. On the page on the right side, type in the author’s name.
17)  Last are your page numbers. Go to Insert. Select page numbers. I choose bottom and centered for mine, but you can choose from a wide selection.

***
(sample copyright page)
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
 
DEVOTED MISSION
 
Published by Hawse Pipe Ministries
Copyright © 2014 by Regina Tittel
Cover design by Regina Tittel
Edited by Angela Breindenbach
 
All rights reserved.
 
This book, or parts thereof, may not be reproduced without permission, except in the case of brief quotations embodied in critical articles or reviews and may not be re-sold.
 
All Scripture quotations are taken from the King James Version.
 
ISBN-10:  0988900254
ISBN-13:  978-0-9889002-5-7
 
Regina Tittel wrote Devoted Mission to bring awareness to the spiritual needs of the Kurdish people both stateside and abroad. And to convey the spiritual side of this world and the power of prayer we have through our Lord, Jesus Christ.


 

Friday, February 7, 2014

My Distributor Adventure and Monetary Results


My Distributor Adventure and Monetary Results

I finished out 2014 with a little over $10,000 in book sales. HOWEVER . . . some of you may remember I signed with Advocate Distribution, a division of Send the Light. Through them, I agreed to a $500 charge to be in their magazine and $3800 of ads in the Munce catalog. This catalog is sent to store owners nationwide.
Because of this I did procure sales in stores that I never had before, but I think the biggest help was paying for Advocate to take some of my books to the I.C.R.S. conference along with a poster of my latest release. For those of you who don’t know what this is, it’s the International Christian Retail Show. A huge array of vendors are there to see what’s new and decide on what they should stock.
When all was said and done, my advertising adventures, plus my new computer (old one died), editing, printed books I ordered, plus any traveling for book shows, etc., I spent roughly $9000.
Was this a waste? No. I took a big step, my name is further-reaching, my books can now be ordered from most any store in the U.S. and some abroad, and I’ve learned quite a bit.

Am I recommending any of you self-published authors go the route of the distributor as I did? Yes and no. I wouldn’t hesitate to procure a distributor. However, rather than pay for expensive ads, I’d pay the small fee to have my books shown at a retail show. I’d pay for them to take a poster of one of my books. Then I’d settle back to writing—which is where your money’s at.

Happy writing in 2014!

Wednesday, January 29, 2014

Decsribing Your Characters' Scents

In writing fiction, you always want to remember the five senses. But how do you always describe what they smell like? Here is a list to give you a few ideas:

SCENTS FOR MEN

Myrhh, woods, mandarin, sophisticated scent, masculine, fresh and clean, blue mint, blend of suede and cedarwood, wild country, leathery, chypre,

SCENT FOR WOMEN

magnolia, musk, classic florals, amber, florals, honey and warm woods, white peach tea, airy honeysuckle, incense, , sparkling plum, rich cashmere woods, jasmine, vanilla, star fruit, purple violet, blackberry, spices, oriental, citrus, lemony,

DESCRIPTION OF SCENTS

Daring, glamorous, extravagant, sensual, exotic, irresistible, alluring, sultry, elegant, flirty, fresh, temptuous, tauntingly, feminine, memories of, desirous, passionate, juicy, masculine, refreshing, bold, fearless, woody, exhilarating, confident, sumptuous, energizing

 

Thursday, November 21, 2013

My Favorite Points of View by Bill Hopkins


MY FAVORITE POINTS OF VIEW

by

Bill Hopkins
 
ozark valley in the fog.jpg

 

FIRST PERSON

  • First person: This is a story that is usually narrated by the protagonist. If you use this, then your first sentence--or certainly your first paragraph--should make it clear. "Sally whirled around and slapped me in the face." You know that someone (the narrator) has incurred Sally's wrath and he's going to tell the reader about it.
  • Advantages: First person allows the narrator to develop a distinctive voice that no one else in the story has (or should have). The reader will learn to like or at least understand why the narrator acts the way he does. He can ramble on about relevant points inside his own head without anyone else but the reader knowing what he's thinking. The reader also witnesses the stress placed on the narrator and how that causes him to act in a certain way. The reader learns about the world of the narrator quickly.
  • Disadvantages: The narrator must be in every scene or he and the reader will be subjected to a lot of retelling by other characters what happened off-stage. But even that may be skillfully handled so that the narrator doesn't appear to be just a listening post where different folks come to tell their tales. Also, other characters and not the narrator must describe him or the narrator must slip in hints at his appearance. "Sally slapped me so hard that I thought my scrawny mustache had been knocked off my face." And, please, avoid the cliché of having the narrator look in a mirror and telling the reader what he sees. Finally, avoid as many "I's" as you can. "I went to the store. I bought some eggs. I took the eggs to Sally." That soon becomes boring.

 

THIRD PERSON CLOSE

  • Third Person: An unknown narrator is telling the story. Generally, the narrator is never identified. Writers and readers have an unspoken agreement that this is one of those "willing suspension of disbelief" that someone witnessed and is able to tell the story. There are different kinds of third person. What makes my favorite version of third person "close" (other people have different terms for it) is that the narrator is in only one character's head at a time. "Sally slapped him." That would be the first line of a book written in third person (close or otherwise). Further on in the story, the reader realizes that the narrator can see into only one person's mind. "He felt the stinging blow and didn't like the look on Sally's face." In fact, third person close is almost a first person viewpoint using different pronouns.
  • Advantages: You can describe your character in the narration. As a reader of fiction, I rarely remember what a person looks like while reading the story. As a writer, my descriptions of people tend to emphasize oddities of their appearance or perhaps one or two nods to a physical description. Another advantage that draws me to this point of view is that you can still show the direct thoughts of the person. "Sally slapped him. That's the second time she's done that to me!" or "Sally slapped him. That's the second time, he thought, that she's done that to me."
  • Disadvantages: You must be especially careful not to get into anyone else's head. You must show us what the other person is doing to determine his reaction to what is going on or, of course, have the other person say something that presents his state of mind. This sounds easy, but it's tricky. In one story, I had written about the protagonist and two companions doing something like "trudging dispiritedly" (it wasn't really that bad). My most heartless editor (my wife, Sharon Woods Hopkins) pointed out that I was expressing the thoughts of the other two people as well as the protagonist. Which, of course, I was.

 

Play around with different points of view. See what fits your protagonist the best. You'd be amazed how a character changes when you change that character's point of view!

 

For more information, read these two articles:

Fiction: Point of View (Writer's Digest)


 

Point of View in Fiction (Fiction Writers' Mentor)


 

Tuesday, November 19, 2013

Publicists for Self Published Authors? Has anyone tried this?

As those of you who follow me know, almost a year ago, I signed on with a distributor. I wanted to experiment and see if this was a wise move for a self-published author. As of yet, I'm still undecided.

In order for stores to want to order your books, they have to know you exist. This comes through advertisement. I agreed to pay for the Munce ads which set me back quite a bit. Although they did bring me notice and sales, I'm afraid it will be some time before the ads pay for themselves.

What has worked so far, is paying my distributor to showcase my books at the Inter. Christian National Retail Show. I also believe if I'd participate in other ads that would help, but that won't happen until the former ads are recouped through sales.

What does work then? I'm wondering that myself. I've been told hiring a publicist would help. It should help -- especially if you pay $2-3000 for their work. But will it pay for itself?

Has anyone tried this route and would you be willing to share your experience? Let me know and you can share your posts with the rest of us.

Friday, November 15, 2013

Bill Hopkins and His Law of Flip-Flop

Welcome Bill Hopkins and thanks for stopping by!
 

I killed a tick on the plane because I'm a writer.
After I killed the tick, I realized that I'd devised one method for blasting apart a writer's block.
But first the grisly part.
I recently flew on a commercial flight to New Orleans. After takeoff, with the seat belt sign still lit, I felt a tick crawling on my neck. I grabbed the critter between a thumb and forefinger to prevent its escape. I had no way to kill the brute.
Ticks are arachnids, meaning they're spiders. Who bite humans. And suck our blood. And transmit diseases. Ticks serve no useful purpose on earth. I am proud of my loathing for these disgusting tiny monsters.
But how could I kill it? I could've mashed against the tray table in the upright position. What if I slipped and dropped the tick? It might crawl on me again and wind up in a place that I couldn't reach while strapped in. Even if I successfully mashed the thing on the table, my seat mate may not have appreciated the nasty thing decorating our space.
The TSA goons won't allow nail clippers or pocket knives on planes. I'd left my miniature yet deadly Swiss Army knife at home. Lighters may not be verboten but you can't use on inside the cabin of a plane. My fellow passengers would've probably thrown a blanket over me and sat on me until the plane landed if I'd flicked my Bic to singe the tick.
A Bic? A thought formed.
After thinking about my dilemma for a few minutes, I realized the answer was in my pocket. I'm a writer. I carry a notebook and pen (blue ink, of course). That provided me with a perfect weapon. The tick expired at the point of a ballpoint pen. I have the bloody corpse in my notebook to prove it.
If you are stuck anywhere in your work in progress, stop and look around. What tools do you have right in front of you? Are you defining your problem by the tools you have? That's not good.
Abraham Kaplan, in The Conduct of Inquiry: Methodology for Behavioral Science, said, "I call it the law of the instrument, and it may be formulated as follows: Give a small boy a hammer, and he will find that everything he encounters needs pounding."
The end of a ballpoint pen makes a great device not only for writing but also for killing ticks. What are you overlooking in the world you've created? What items in your work can be used for something they weren't created for?
I call it the law of the flip-flop, and it may be formulated as follows: Give a writer a tool for creation and the writer will find destructive uses for it.
Go forth and wreak some havoc.
 

Bill Hopkins

COURTING MURDER

RIVER MOURN

My website with preview:


The Judge Rosswell Carew Mystery series


 
After being in the self-published world for a few years, I find I have less and less to share with my audience other than what I already have. With that in mind, I'm opening the door to other self-published authors in hope what they have to share will increased your knowledge and inspiration.

So please tune back in for wisdom from Bill (Judge) Hopkins, author and friend.
http://tinyurl.com/Judge-Bill-Hopkins-Website